by The Second City
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Apr 23, 2015
Wondering what it’s like to kiss your Chicago comedy career goodbye in order to head out to one of the coasts? Chicago-based performer Martin Morrow recently spoke with some of the Chicago comedy community’s recent expats who have found success in improv, stand-up, comedy and/or performing since leaving the Midwest for New Yorkier or LAish pastures. We’ll be running his CHInterviews weekly.
EM: I lived [there] and performed for about 7 or 8 years. Yikes!
EM: A year and a half ago.
EM: I knew more people in LA and had been here several times and honestly— f*ck the cold.
EM: It was bumpy. I talked to a few other Chicago ex-pats, and they said the same thing. It went from performing every night in Chicago to having one or two booked shows in LA. It was a lot of hustle all over again. I am thankful for the contacts and shows that had put me up previously before I moved. Having established a good foundation was also key to moving out here.
EM: Finding venues that don’t charge $1,000 a night, plus a bar guarantee. Chicago! Don’t take that for granted. A lot of bars will charge for the “atmosphere,” and it’s like, “fuck you man, this is a dive bar and we’re bringing people.” But it’s LA, and bars can get away with that.
EM: I worked hard in Chicago before I moved here, so I think my case may be different than some—but I had my first paid gig in LA the first week.
EM: Maria Bamford, Tig Notaro, Eric Andre, Neil Hamburger, Meltdown, Super Serious— I’ve been lucky to work on a show as a researcher for Michael Ian Black and Jen Kirkman, as well as Getting Doug with High. I’ve done RIOT LA, San Francisco Sketch Fest, Bridgetown.
EM: GROW A BIG PAIR OF BALLS
EM: LA is a clean slate. Yes, you worked hard in Chicago, but now you have to work twice as much here. LA is huge. There is so much to this city that it’s hard to conquer. And everyone is doing the same thing as you are, so try not go get stressed, but just know everyone wants you to quit. So quit. Right now. BYE! Just kidding.
LA is awesome in that there is so much competition, but there are so many more opportunities out here. Competition and collaboration make us better, and LA is great for that. Also, there’s a fucking beach and mountains.
EM: I love coming back to Chicago! It’s great and it feels like a playground. I feel like every time I come back, I get more and more inspired to be better.
LA crowds can be a little weird. A lot of my set is riffing and just talking to the crowd, and it’s a bit harder out here. But in rooms like Meltdown—where the audience comes to see comedy— it’s a rush. I came back to Chicago and was excited to be able to do crowd work and riff, and some people were kinda shitty about it. I think that’s the most hate I’ve ever gotten, and it wasn’t even hate. A few comics were like, “well, I could be lazy and just do crowd work, but I want to hone my craft.”
I just gave them that Prince look from the Grammys.
Do you know how starved I have been to riff off of crowd work?? Bro, do you even lift? Also, do you know how long it took to “hone my crowd work craft”? You go be a chubby lesbian and talk to a 60-year-old conservative white male who is one of 10 people in a quiet room who hates gays and make him laugh. Then come back and tell me how easy that was.
EM: Festivals, auditions, shows, shows, meetings, beer, festivals, self-hate, despair, meetings, shows, etc.
Twitter: @evermainard
Instagram: @evermainard
Web: evermainard.com
Read our previous CHInterviews with Ian Abramson and Saurin Choksi.
Martin Morrow is a member of The Second City’s Bob Curry Fellowship program. Get the latest on his whereabouts via his website or by following him on Twitter @martinMmorrow.
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